Hundred Thousand Kingdoms -- N.K. Jemisin

I'm a repeat reader. I admit it. When I was a kid, I would go to the library, get 5 or 6 books, and only 3 of them would be things that were new to me. The rest would be things that I had read a billion times before and just loved. I would usually buy the books later (or ask for them for birthdays or Christmas) and still have most of them today. I am one of those people who finds comfort in the familiar worlds of these particular books. That said, at this point in my life, with the job that I have, re-reading things is not so much of an option for me anymore. I have a duty to my job to read as many things as I possibly can before they come out so that I can be as effective as I can and limit my re-reading to times of despair and extreme duress -- maybe twice a year for like 3 weeks at a time. So when I tell you that I read N. K. Jemisin's Hundred Thousand Kingdoms a couple months ago and couldn't stop thinking about it so much that I re-read it this week, that is a BIG DEAL. For me to think about a book that much that I re-read it virtually immediately, regardless of the other things on my shelf (which happen to include Stieg Larsson's Girl Who Kicked the Hornet's Nest which I have been SALIVATING for for at least a year), it had to be amazingly good.

Her debut fantasy is so original in scope and style that it seems like she has been around for years rather than months. Her premise is steeped in the classics of both ancient literature and mythology, as well as comparitive religion and modern science fiction, with a little bit of stream of consciousness thrown in. It's phenomenal. There are very few holes in the plot and the majority of the characters are perfectly developed. The couple of minor problems aren't really issues at all because the reader doesn't really care about these people/plotlines at all since they are intentionally peripheral while not being contrived or feel "forgotten" like some lost plot threads can in lesser hands. And it is one of those books that only gets better each time it is read because of the little details and nuances that weren't detected before.

The basic plot is centered around Yeine, the daughter of the now disowned heir to the current ruler of the kingdoms. When she is summoned after her mother is killed suspiciously, she has no reason not to go, even though she is wary. Much more is to be revealed as she spends her time at Sky (city & capital). As she comes into herself and attempts to keep herself alive despite the petty political manuevering of her rivals, she is thrown into the company of several enslaved gods -- Nahadoth, and Sieh most prominently, the result of a long ago war that is the basis for the entire religious system. At first, the religious aspects don't ring original, but that isn't the case. By blending many different mythologies of everything from The Sandman's Morpheus and the concept of the biblical Trinity, she created a nexus for the conflict between the gods and between the humans.

It's a very complex novel filled with all of the intrigue and revenge that comes with political struggles, but with a healthy dose of the many faces of love, and the price that it can exact. She never takes a heavy hand with the characters or with their actions; each entity acts "naturally" if that makes sense, and doesn't feel forced to the reader. Jemisin has achieved the elusive feeling of being a true voyeur to the story through the structure of the narrative and the completeness of the story. I was obviously thrilled with this installment, and can't wait for the next phase of the story. She is going to have a (hopefully) long and illustrious career and I will surely salivate for each work.

For more info on the book or N. K. Jemisin, go to www.orbitbooks.net. Check out her blog posts too. So much fun.